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Backstage Pass to North Dakota History

This blog takes you behind the scenes of the State Historical Society of North Dakota. Get a glimpse at a day-in-the-life of the staff, volunteers, and partners who make it all possible. Discover what it takes to preserve North Dakota’s natural and cultural history. We encourage dialogue, questions, and comments!

Brooke Morgan's blog

Archaeology in the Digital Age: 3D Artifact Imaging

Sometimes the methods archaeologists use to preserve artifacts stand in stark contrast to the objects themselves. Using modern three-dimensional (3D) scanning technology to create digital models of ancient stone technology is one of those instances. This type of image capture is becoming increasingly popular in archaeology and museum labs for its relative ease of use and the affordability of commercially available scanners, not to mention the highly detailed models produced. We purchased a 3D scanner in 2011 to aid our staff and researchers in artifact analysis, and to provide the public with better access to our collections.

NextEngine Scanner

NextEngine Scanner ready to create a 3D model of a stone knife in the Archaeology and Historic Preservation division of the North Dakota Heritage Center & State Museum.

In addition to creating a digital record of an object, archaeologists and others working in cultural heritage fields can use the models to take high-resolution measurements, create exact replicas using a 3D printer, and share high-precision digital data with colleagues.

One of the benefits of digitizing artifact collections is the ability to share those objects in a way that encourages the public to interact with the past. An artifact’s minute features are captured in greater detail with a 3D scanner than with traditional digital photography. There are about 12 million objects in the state archaeology collections. Most of these will not be on display in the galleries, but with 3D scanning, anyone with an internet connection can get a behind-the-scenes look at these collections. From the comfort of your home, you can appreciate the craftsmanship of an artifact that 3D scanning brings to life.

3D scan of stone knife

Screen grab of the finished scan in NextEngine StudioScan software prior to uploading the model to Sketchfab.com.

Sketchfab.com is an open source, free hosting site for 3D models. With a mouse, trackpad, or finger, the user can move and turn the object, zoom in and out, and copy the link to share with others. A user can also “Like” the model and leave a comment. The object can even be observed in virtual reality if the user has VR headset.

Sketchfab.com directions

Navigation directions for the Sketchfab.com viewing window.

This artifact is a stone knife from Griggs County in eastern North Dakota; it was donated by a private collector. The knife was hafted, meaning it was fit into a handle that could give its user better leverage while cutting. We don’t know how old the knife is, but we do know it’s still usable and has only a small break on the base. Why do you think someone left it behind? Was it lost?

 

Like photographs and videos, 3D scanning is a digital medium that helps us engage with the past. Unlike those types of media, 3D models invite you to interact with an object in an almost tangible manner. So go ahead—give it a spin and feel like you’re holding history in your hand.

The Beadmaker Archaeological Site Part II: Stone Bead Production

This is the second blog in a series on the Beadmaker archaeological site, a Mandan campsite dating to AD 1600-1650 near the Heart River. I previously wrote a brief background on Beadmaker, which you can find here (http://blog.statemuseum.nd.gov/blog/beadmaker).

Ornamental stone bead production is a fascinating aspect of life at Beadmaker. More than 120 beads in various stages of manufacture have been recovered from the site. Like other types of technology, beads were manufactured in a set of successive stages: (1) obtaining raw material, (2) initial shaping, (3) preparation for drilling and actual drilling, (4) shaping/smoothing after drilling, and (5) final shaping/rounding of bead. Mandan people might not have recognized these as distinct phases, but this type of classification helps archaeologists understand how beads were produced and the thought process behind their manufacture. At Beadmaker, stone beads come in both disc and cylindrical forms.

Soft siltstone

Stage 1: Obtaining raw material. These are pieces of soft siltstone or mudstone.

Beads were made on soft siltstones found locally in a variety of colors. It was fairly easy to carve or grind these stones. Think about scratching a piece of scoria road rock with your fingernail, and you’ll get a sense of how “soft” these rocks are.

Initial shaping

Stage 2: Initial shaping to create a bead blank. Notice the trimmed edges and placement of “pilot holes.”

After choosing pieces of siltstone for raw material, the stoneworkers would shape the rock to create a “blank,” or a piece that begins to resemble the eventual shape of the bead. Two of these rocks show the beginning of drill marks, suggesting the initial blank shape may have been achieved or a type of pilot hole was started to give the beadmaker a sense of the center. A beadmaker had to be careful during grinding and plan ahead to the final product, because once material was removed, it could not be put back again. The softness of the material probably allowed people to modify their plans as they worked, in case they made a mistake.

Preparation for drilling and flake tool

Left - Stage 3: Preparation for drilling. These bead blanks have been rounded and smoothed.
Right - A very small (~1 inch) flake tool used to drill beads. This could be held between the thumb and forefinger and twisted repeatedly.

After a beadmaker attained the desired shape, beads were prepared for drilling and drilled using a small flake tool. If the bead blank broke during this process, it was either reshaped or discarded. Drilling was probably the most difficult step of manufacture; even if a blank was successfully drilled, the bead itself became more fragile with the addition of a hole. This could make further shaping after drilling risky, as the bead could snap in half. This is seen fairly regularly in the next stage of production.

Broken beads and two pieces fitting together

Left - Stage 4: Shaping and smoothing after drilling. These beads broke either during or shortly after drilling. Note the ridged drill marks on the specimen in the top row, second from left.
Right - Two pieces of a tubular bead that refit. The center and outside are very smooth, suggesting this bead may have been finished but then accidentally stepped on or broken.

Most of these beads show drill holes that pass all the way through the center, but the beads then snapped or cracked. The two tubular pieces in the image above actually fit together, and may represent a finished bead that was accidentally trampled or crushed when people walked around their camp.

Finished beads

Stage 5: Finished beads. These are only about 1 cm (0.4 inches) in diameter.

Finished beads were probably prized objects used for personal adornment and unlikely to be purposefully left behind at a site. Three complete, finished beads were recovered from Beadmaker, along with broken finished beads They were probably shaped using sandstone or clinker abraders.

So why are there so many stone beads at Beadmaker? If the interpretation of a hunting camp is correct, it’s plausible that the men had downtime while waiting for scouts to return with a report on bison location and movement. Perhaps older men used this time to teach younger men how to craft these ornamental objects. With a seemingly endless supply of raw material on hand, the novice beadmakers could try their hand at bead manufacture without worrying about wasting stone.

Stone beads on display

Stone beads from On-A-Slant Village, Fort Abraham Lincoln State Park.

Stone beads appear at other Mandan sites, including Huff, Bagnell, and On-a-Slant Villages, indicating these were probably an important feature of decoration and group identification prior to the arrival of glass trade beads.