Backstage Pass to North Dakota History

This blog takes you behind the scenes of the State Historical Society of North Dakota. Get a glimpse at a day-in-the-life of the staff, volunteers, and partners who make it all possible. Discover what it takes to preserve North Dakota's natural and cultural history. We encourage dialogue, questions, and comments!

Lori Nohner's blog

Beyond “Mrs. Husband’s Name”: Researching Women’s Full Names

While working from home the past two months, collection staff in the Audience Engagement and Museum Division started a long-needed data cleanup project. While often tedious, one part of this project I am truly enjoying is researching the first names of women who we only have recorded as “Mrs. Last Name,” or “Mrs. Husband’s Name.”

The New York Times recently published a series called “The Mrs. Files” discussing the same type of project. This article articulates the tradition of using a husband’s name to refer to a married woman.

Women using “Mrs. Husband’s Name” in a social and official capacity was very common, although it seems odd looking at it from a contemporary point of view. Many of the artifact donation forms from the early days of the State Historical Society are signed this way, and this continued well into the 1980s.

I believe it is important that these women are remembered as themselves, not only by the names of their loved ones. Researching and recording these first names ensures their work and contributions to the state’s history are remembered.

Mrs. Adams

In 1936, the North Dakota Federation of Women’s Clubs donated a sampler created by a Mrs. Adams from LaMoure. In this case, the artifact itself helped identify the artist, as Mrs. Adams embroidered her initials, “O.M.A.” I didn’t think many Adamses would be living in LaMoure during that period, so I looked through census records. In the 1940 census, three women with the last name Adams appeared in LaMoure County; one was Olive. To confirm this suspicion, I looked at the 1930 census, and listed below her husband Paul was “Olive M. Adams.” Digging a little further I learned Olive Marshall, born in 1879, married Paul Adams, a prominent LaMoure banker, in 1904. Looking into newspapers from the area would probably reveal even more about Olive M. Adams, but for now, her full name fills gaps in the sampler’s history.

Framed beaded piece that says North Dakota 1889 - 1936 In small things Liberty, In large things Unity, In all things Charity. There are clouds, a bison, covered wagin, tipi, squirrel holding wheat, farmstead, and the state capitol depicted.

Sampler by Olive Marshall Adams (the artist formerly known as Mrs. Adams). SHSND 1977.27

Mrs. William P. Zahn

There are beautiful pieces of beadwork in the State Historical Society’s collection attributed to Mrs. William P. Zahn. Researching Mrs. Zahn was not difficult because her son, Frank B. Zahn, donated the items. Frank, a prominent North Dakota judge and historian, was easy to find. According to his obituary, Frank was the son of William P. and Kezewin Zahn.1 Kezewin was the daughter of Yanktonai chief Flying Cloud and appears in some Federal and Indian census records under the English-Christian name Mary Josephine Zahn (an assimilationist re-naming practice deserving of its own full article). I knew the State Archives had records from Frank Zahn, so I did a quick search and they have multiple photos of Kezewin and her family!

How striking is it to put not only a full name, but also a face to the woman who made this piece!

A beaded cradle hood with yellow trim. The main area is beaded in white and there are red stars with yellow and red squares inside them, red squared with yellow and green quares inside, and triangle, diamond, and square shapes in the same colors.

Soft cradle hood made by Kezewin Zahn. SHSND 2557

Mrs. John Kruger

In 1956, Mrs. Otto A. Matzek donated the wedding dress of her mother, Mrs. John Kruger. This one was harder. I had two people to find. Once I found that Mrs. Matzek was Edith Kruger Matzek, finding her mother became easier. Researching Gerahdina “Dena” Detmer Kruger revealed two things. First, we had the wrong date recorded for the dress. The donor misremembered her mother’s wedding date as January 1912. The Weekly-Time Record out of Valley City announced the upcoming wedding of Miss Dena Detmer and John W. Kruger on January 15, 1913.2

An off white/tan wedding dress. It is full length and has long sleeves. There is a draped part over the chest. Beaded fringe hands off of part of the chest drape and the sleeves.

Dena Detmer Kruger’s time-traveling wedding dress. SHSND 13355

Second, it turns out that Dena Detmer was a postmaster for Lucca in Barnes County in the 1930s! How cool is that?!

A record of the different postmasters in Barnes county from 1928 to 1960, including John W. Kruger, Mrs. Dena F. Kruger, Mrs. Grace Leone Phillips, Pearletta R Fisk.

Dena, the mail woman (Ancestry.com. U.S., Appointments of U. S. Postmasters, 1832-1971 [database on-line].)

The State Historical Society has artifacts and records attributed to women around the state using their husband’s names. We don’t know if they did this simply because it was the social norm, or if that was their preferred title. Perhaps early record keepers made the decision for them. Whatever the reason, documenting the women’s full names builds a richer and more complete picture of North Dakota’s history.


1 “Frank B. Zahn, Historian, Judge, Dies Here Sunday,” The Bismarck Tribune, July 5, 1966, 10.
2 The Weekly Times-Record (Valley City, ND), January 9, 1913, 5.

Weird or Cool?: Three Experiences From A New Employee

When I started as the assistant curator of Collections last August, I knew there would be a learning curve, and I am excited to share some of my memorable experiences.

1. Preventative Conservation (aka dusting): Ever walk into the North Dakota Heritage Center & State Museum galleries and think, “Gee, I wonder who cleans this stuff?” Turns out, it’s me! Let’s be clear, the custodial staff work hard daily to keep the whole building clean. But it’s my job to clean the artifacts on exhibit. All galleries are ideally cleaned every three months. Any artifacts not enclosed in casework are dusted with cotton cloths, soft brushes, or a low-suction vacuum. Preventative maintenance like this discourages pest activity from bugs and rodents, and ensures the long-term stability of the artifacts. And ultimately, I get to dust a mastodon.

aerial view of mastodon skeleton

A view from the top. Dusting the mastodon.

Verdict: Cool, definitely cool

 

2. Moving Large Artifacts: SHSND has off-site storage buildings to house large items like cars, farm equipment, and buggies. This means when large items are going on display, staff need to move them from one side of town to the other. I experienced this when we moved a rural mail cart for The Prairie Post Office exhibit (on display now in the James E. Sperry Gallery!). This required a forklift, an experienced forklift driver (THANKS Bryan Turnbow, chief preparator), and many spotters.

moving artifacts

Out for delivery. Staff moving a rural mail cart.

Verdict: Weird but cool

 

3. Teeth in A Grenade Launcher Box: Sometime in the past, someone decided to store old dental equipment–including FAKE TEETH–in an empty WWI German grenade launcher box. When we discovered this, it was a shock to say the least. Staff–mostly Elise Dukart, assistant registrar - took time sorting grenade launcher tools from dental tools. She wants you to know it was harder than you think. Mixed-up items like this are found every now and then. Sorting them out allows for better documentation of the State’s collection. Not to mention better storage for fake teeth.

vintage trunk opened with artifacts inside

The teeth’s old home.

fake teeth

The teeth’s new home. Don’t worry, they’re fake.

Verdict: Definitely weird