Backstage Pass to North Dakota History

This blog takes you behind the scenes of the State Historical Society of North Dakota. Get a glimpse at a day-in-the-life of the staff, volunteers, and partners who make it all possible. Discover what it takes to preserve North Dakota's natural and cultural history.

Experimental Archaeology: Flintknapping, Firing, and Fabricating Early Gadgets

I don’t like to shop. My idea of shopping is to know exactly what I want at the store and the aisle that contains the product I need. In, out, done.

I was recently in need of a new set of kitchen knives. Over the years I have sharpened and resharpened the set of Chicago Cutlery knives that my wife and I received as a wedding present. Replacement of the worn-out set was not a problem for me. There is a retail store where I have “shopped” on numerous occasions, and I knew where the knives were located. In, out—wait.

Unfortunately, I like gadgets.

The knives were displayed next to the latest and greatest knife sharpener. I have a number of sharpeners, but I figured one more couldn’t hurt.

Across the aisle from the knives was a display of spaghetti canisters; glass and stainless steel with a screw-top lid. I like spaghetti. It seemed only right that our noodles be kept in the latest kitchen storage innovation.

In, out (not as fast as I had anticipated), done.

Where am I going with this story?

I take it for granted that the store down the street has everything I need. Imagine, if you will, that it was the year 1717 and not 2017, and I needed a new knife, a new knife sharpener, and a food storage container. If the store wasn’t there and I had to craft these items, how would I begin?

The State Historical Society of North Dakota (SHSND) and the North Dakota Archaeological Association (NDAA) are collaborating on a project that explores these questions and more. Every other Friday at 10 a.m., an “Experimental Archaeology” program is conducted at the North Dakota Heritage Center & State Museum.

Experimental Archaeology tools

Some of the tools being used during "Experimental Archaeology"

In public learning spaces in and around the museum, flintknappers, potters, fire-starters, jewelry makers, and other skilled artisans replicate the processes that produced knives, storage containers, fire, personal adornment, and more before retail stores were available for replenishment.

Removing bark from willow branch

Using a piece of Knife River flint to remove bark from a willow branch to make a willow basket.

Consider the knife that I so cavalierly replaced in our kitchen. If I had to make that knife myself, where would I begin? What type of material would I use to fashion the blade? Does Knife River flint knap better than Tongue River silicified sediment? Would heating the material before knapping result in a better product? What size and shape of blade would be best for downing and then processing a bison? What kind of handle would I fashion, and what material would I use? How would I resharpen the blade when it became dull? Where would I do that resharpening? (Certainly not in an earthlodge or tipi, where the kids could step on the razor-sharp flakes.)

Flintknapping demonstration

Gary Jochim demonstrating flintknapping

When the bison was ready for eating, how would it be cooked and served? What if, instead of having glass and stainless steel containers, I had to fashion a pottery vessel by hand? Where would I begin? What type of clay would I use? How would it be tempered so that the vessel wouldn’t crack when fired? How would it be fired and at what temperature? How would I achieve the proper temperature? How would the container be shaped for proper heating, serving, and storage? How would the clay pot be incised or impressed for decoration and identification?

These processes and many more will be replicated at the semi-monthly “Experimental Archaeology” sessions. Our sessions are loose, friendly, and inclusive. Everyone is invited, and no question is too trivial.

A visitor recently asked how long it took to complete the pecking of a groove in a stone hammer. The answer was that you peck until it is done—this can take hours or it can take days, depending on the quality of the work and the resources available. Time takes on a different dimension if you are on a hilltop scanning for bison, looking out for the enemy, waiting for your clay pots to fire, or thinking about the angle of your next percussion strike while knapping a stone tool. “Experimental Archaeology” will put you in the same frame of mind.

Demonstrating pecking a hammerstone

Erik Holland, Curator of Education for the State Historical Society of North Dakota, teaching the art of pecking a hammerstone.

Join us for our next free sessions on August 11 and 25, 10 a.m. to noon, in Project Room A of the ND Heritage Center & State Museum.

After several experiments, it is obvious to me that I will never be able to eliminate shopping from my life. I do, however, appreciate the gadget store down the street a little more.

Three Takeaways from Farmsteads on the Frontier: German-Russian Immigrants in Western North Dakota Field School

In June and July 2017, instructor Anna Andrzejewski of the University of Wisconsin-Madison held a four week, three-credit class in vernacular architecture, with a week in North Dakota’s Stark and Hettinger Counties, recording farmstead layout and buildings. (Vernacular architecture embodies the common building methods, materials, and decorative techniques used in a particular region during a specific period.) While in western North Dakota, students interviewed farmstead owners and photographed, drew, and made notes on the architectural features of the various buildings in their study. As review and compliance coordinator for the State Historic Preservation Office, I helped define the parameters of the field school.

Stone Barn

Old stone barn under study as part of the Farmsteads on the Frontier: German-Russian Immigrants in Western North Dakota field school, June 2017, photo by Susan Quinnell

Professor emeritus Tom Carter (University of Utah) assisted the students in their endeavors, holding the tape measure, inspecting restored tractors, and commenting on what he had noted on his first trip to North Dakota. His initial impression was that the North Dakota architecture he studied was clearly architecture of the American West, a category still being defined, but which includes the false-fronted main street building, the front-gabled mountain cabin, and the ethnic architecture of various groups that settled in the American West. Also on hand was a professional architectural historian, James Sexton from Massachusetts, who emphatically agreed. Sexton has worked in North Dakota on and off for several years and has provided hundreds of architectural site forms for research at our office. Carter is writing a book on architecture of the American West in his retirement and hopes to include work from his North Dakota field research.

Small Granary

Small granary being measured as part of the Farmsteads on the Frontier: German-Russian Immigrants in Western North Dakota field school, June 2017, photo by Susan Quinnell

Dairy Barn

Magnificent dairy barn with added stairs that lead to a hay loft converted to barn dance floor, off of Hwy 22, Stark County, North Dakota. Photo by Susan Quinnell

Barn cat and student

Barn cat meets student in the restored dairy barn, ground level. Stanchions with individual cow’s names are in the background. Photo by Susan Quinnell

After recognizing the stone barns and farmhouses in this sub-area of Stark and Hettinger Counties as examples of American Western architecture, the second notable feature to the field school group was the date of settlement. The students asked the land owners when their farms were settled. The answer from everyone was 1910. Not 1909 or 1911, but 1910. And despite this specific date, the buildings we surveyed included traditional small stone barns, the most up-to-date dairy barns of the time, and plain residential homes. Normally one would expect to find that the small stone barns were built by the first generation, the dairy barns by the next, and a small home first followed by a larger and more stylish house later. Yet here all of these types sprang up the same year, depending on the cash resources available to the owners, and perhaps the size of the family. I hope the follow-up research is able to explain why there were both traditional and modern buildings built at the same time. I think this is an important juncture in the history of settlement that occurred after a specific point in time— is perhaps after the railroads passed through the area, making standard building materials more affordable.

The third impression Tom Carter had of the settlements he studied here was how clean they were. Many of the farms and ranches he studied further west, being more isolated and generally poorer, had a more difficult time taking away the trash. He found lots of historic trash where ever he went, but here trash piles were fewer.

The students are home now, where they will complete two more components of the field school. The first is a presentation by Anna Andrzejewski, who hopes to return to North Dakota and present her findings. The second is the development of an e-book by the students which should be completed this fall.