Backstage Pass to North Dakota History

This blog takes you behind the scenes of the State Historical Society of North Dakota. Get a glimpse at a day-in-the-life of the staff, volunteers, and partners who make it all possible. Discover what it takes to preserve North Dakota's natural and cultural history.

Internships as Learning Opportunities at the Chateau de Mores

Last summer the Chateau de Mores State Historic Site had the pleasure of welcoming Quinn Rick from Dordt College (Sioux Center, Iowa) as an intern. As part of this internship, Quinn’s supervising professor, Dr. Paul Fessler, made a trip to Medora to check in on him. Our work with Quinn impressed Dr. Fessler, and he told Quinn that not many interns are so lucky. Our success with Quinn has to do with my philosophy on what an internship is. It is a pretty simple philosophy: an internship is a learning experience.

Young gentleman holding a screwdriver and working on an exhibit case

Chateau Intern Quinn Rick working on ammunitions exhibit case.

It is all too common for companies or organizations to look at an intern as free labor or grunt labor. Interns fetch coffee and tackle the tasks that nobody else wants—the idea of “paying one’s dues.” The truth is that internships are about learning how to do a job. My background is in education. To me, my time student teaching was my internship. One of the best things that my cooperating teacher ever did for me was to hand the reins of the class over to me. I had done observation with him, and he wanted me to have the experience of teaching the class. On the first day, he introduced himself and then turned the class over to me. For the next 16 weeks, I was the teacher. I will always credit this experience with my classroom success.

I wanted to give Quinn that same experience. I tried to train him to take my job.1 My job does not require me to fetch coffee for anyone, so I was not going to ask him to fetch coffee. I do clean the bathrooms and take out the trash in Chimney Park, and Quinn got to spend some time working with me on that. As we schlepped bags of refuse to the dumpster, I told Quinn that this was my site. How it looks and how visitors experience it is on me.

Table covered in boxes of items and tools

Quinn's work table

But unlike my cooperating teacher, I could not just throw Quinn the keys and say, “It’s your site now, I will be back in September for it.” There are some things that he was not ready to handle on his own, but I did not shy away from teaching him these tasks. Instead of having him fill out the daily deposits and purchase orders, I went through them with him. I included him in meaningful conversations about site management and had him sit in on meetings. He went with me to a city council meeting and talked to me about how we handle all the difficult parts of the job.

I have always been a jack-of-all-trades, and it means that I do a little bit of everything around the site. For that reason, Quinn did too. He gave tours of the Chateau, helped with inventory in the store, covered lunch breaks, and worked on other projects. Quinn helped with public relations and helped with the creation of Augmented Reality experiences in the gallery. He got to see other sites like the Former Governors’ Mansion State Historic Site, the North Dakota Heritage Center & State Museum, and the Billings County Museum. At each of these places, he got to talk to the folks who work there. They discussed the challenges facing their sites and the work that they do to overcome them.

Two display cases of ammunition showing two different ways the objects were displayed

Ammunitions exhibit case at the start of the season (left) and end of the project (right)

We wanted Quinn to leave here with an experience that he could put on his resume that was truly impressive. His big assignment was the reorganization of an ammunitions exhibit case that we have not opened in decades. He had to catalog the items, document his process, make decisions on what steps he needed to take to update the exhibit, and write up artifact labels. For this project, we also sent Quinn to Bismarck to work with Jenny Yearous, State Historical Society curator of collections. She taught him about various preservation techniques and how to handle artifacts properly. He worked with Genia Hesser, curator of exhibits, on solutions for making the case better. Quinn identified and organized the artifacts in the cabinet by category, removed excess artifacts, and created a list of needed labels to be printed. After putting his new skills to use, Quinn made the exhibit case look great, and we are proud of all his hard work.

Two young gentlemen working together to open case

Quinn and Interpreter Jesse Whumaker work together to open the ammunitions exhibit case

In the ten weeks that Quinn was with us, we threw a lot of stuff at him, and he handled it well. He was a valuable member of our team last summer. As our site moves forward, I hope to see us offer more internship opportunities. There are many projects that the staff and I want to get done out here. We are continually striving to have the best site. We have some pretty ambitious goals, and they are going to create some great opportunities for future interns. If you or someone you know is interested in interning at the Chateau de Mores, feel free to contact me at cdorfschmidt@nd.gov for more information.


1 This post was written when Chris Dorfschmidt was Site Supervisor at the Chateau de Mores State Historic Site. On April 1, 2019, Chris became a Historic Sites Regional Manager for the State Historical Society. He currently oversees staff and operations at the Chateau de Mores State Historic Site, as well as various other sites across North Dakota.

It’s the Little Things: Exhibiting Small Collections with Artifact Photography

As someone who is tasked with increasing public access to our archaeological collections, here is one of the biggest challenges: some artifacts are very small, while exhibit cases can be very big. In fact, archaeological artifacts that tell some of the biggest stories about North Dakota’s past can be measured in mere centimeters. When our average visitor might spend less than 20 minutes in an entire gallery, chances are high that the smallest artifacts could be overlooked.1 In a museum that comprises five galleries, thousands of displayed artifacts, dozens of tech and media installations, and tens of thousands of words of interpretive text — how do you help visitors appreciate some of the smallest representations of our state’s history?

Photo exhibit showcasing 8 small artifacts

The first installation of the Small Things Considered artifact photo exhibit, 2016.

When confronting this challenge in 2016 while planning for the 50th anniversary of the National Historic Preservation Act, we opted to display these collections in the form of a photo exhibit. Titled Small Things Considered, the exhibit featured 12 large (11”x17”) color photos of archaeological objects. The exhibit was a hit, and ended up being an effective way to give some of our smaller collections the spotlight. So we decided to plan another one for 2019!

Putting together this exhibit is a team effort. First we need the go-ahead from the Audience Engagement & Museum Division, which schedules exhibit spaces. Once the space is secured, our division director and collections staff brainstorm about what unique or interesting artifacts we have come across lately. Then we either find photos we already have of that object, or we take new photos. Sometimes we find an artifact that is amazing to look at, but we can’t include it — because we don’t know enough about it to write an informative caption, or we feel that it needs more context than this type of exhibit allows. Other times we might find an artifact we know a lot about, but we don’t include it because it doesn’t photograph well, is too big, or we have a similar example on display elsewhere in the galleries. This time around we started out with more than 20 photo possibilities, narrowed it down to 14, but couldn’t get to 12. They were all too good, so we just bought two more frames!

Bone toothbrush

Bone toothbrush recovered from Lt. Col. George Armstrong Custer’s home at Fort Abraham Lincoln, ca. 1872–1876. The holes in the head of the toothbrush would have been filled with tufts of animal hair, usually boar bristles.

While our collections assistant Meagan processes the photos, I start researching each object so that I can write the captions. This is the best part.

I have mentioned before that we manage millions of artifacts, so we always have a lot to do. There are a lot of emails, digital records, databases, paperwork, and phone calls involved in managing a collection this size, which means that there are many days that I do not handle a single artifact. But this exhibit project affords me the luxury of focusing on one artifact at a time. I have always considered it a privilege to take care of these objects, and I take any opportunity I can to get to know each one of them better.

There are objects that I initially think I am not interested in (e.g., coins come to mind), but after a few hours of research, I find myself talking to anyone who will listen about the history of the nickel or the miracle that is a fish scale. And if I am being honest, not all of this is rosy — I also spent an afternoon tearing my hair out trying to identify the Tiffany & Co. design on a silver spoon (extra challenging when the handle — the most identifiable feature of an historic spoon — is completely missing).

My typical approach is to write captions that are too long, because I can’t bear to leave out any of the interesting information I found. Then our curator of exhibits and our editing team rein me back in, and we miraculously condense this research to about 50 words per artifact. Our division director gives final approval on photos and captions, and the rest is up to the exhibit installation team. Here are a few highlights:

1. 1866 Shield Nickel
I’d like to introduce you to my new favorite nickel, which dates to 1866 and was found near Fort Rice. The rays around the “5” were believed to have complicated the striking process when these were minted. The coin’s design broke the dies or resulted in a coin whose features were not as sharp in relief as they should have been. For these reasons, the rays were removed from the design in 1867. This object represents a shift in minting practices after the Civil War.

1866 nickle reading United States Of America 5 Cent

An 1866 Shield Nickel, the first 5-cent piece to be made from a nickel-copper alloy.

2. Clay Horse Figurine
While researching the clay horse figurine from the 19th-century site of Fort Berthold pictured below, I came across a historic photo that explains who likely made it. It closely resembles the clay figurines made by students at the Fort Berthold Indian Mission School during the 1870s. Note the detail in the horse’s mane, and the eye on the side of the (broken) face. Another less complete example in the same collection has holes in the bottom, which appear from the historic photo to have been used to insert small twigs for legs. The founder of the mission (1876), Charles Lemon Hall, learned all three languages (Mandan, Hidatsa, and Arikara) spoken by the students who attended the mission school.

Clay horse figurine

Clay horse figurine from Fort Berthold, ca. 1870s.

Multiple mud animals, including a horse, bison, elk, and more

Stereoscopic image of clay or mud animals made by Native American boys at the Fort Berthold Indian Mission School, ca. 1870s. Photo by O.S. Goff. (State Archives 00088.0031)

3. Olivella shell bead
The shell bead pictured below is about ¾” long. In a typical exhibit case (which is about the size of a small closet), its details might easily be overlooked when surrounded by larger or more colorful objects. But in this picture, you can see that the pointed spire at the top has been lopped off, which creates a hole through its body. You can also see the variegated color near the top, and the texture of the whorl. These Olivella shells (Olivella dama) are from the Gulf of California and made their way along trade routes to North Dakota. The presence of Olivella shells in this region demonstrates the extent of trade networks between Native groups long before Europeans arrived.

Olivella shell bead

Olivella shell bead (Olivella dama) from McLean County

It is important to display artifacts in the context of where, when, and with what other objects they were found, and our exhibit cases achieve that. The context of an artifact tells the story. This photo exhibit does not diminish the importance of context, but rather brings the beauty and details of individual objects into focus. Stop by the Merlan E. Paaverud Jr. Gallery outside the auditorium the next time you find yourself at the North Dakota Heritage Center & State Museum, and see for yourself!


1Average visitor time tracking statistics can be found in Exhibit Labels: An Interpretive Approach by Beverly Serrell, 1996, AltaMira Press.

A People’s History of the Plains: Rad Women and Girls

When I discovered Howard Zinn’s People’s History of the United States two decades ago, it rocked my world. The stories of Indigenous peoples, women, slaves, and the working class were a revelation beyond the whitewashed textbook history taught in my public high school.

Today’s historians have gotten better about telling stories of the marginalized, though we still have a long way to go to disrupt the dominant narrative written by “the winners.” This is why I’m excited to direct you toward our North Dakota Studies curriculum, specifically to People Living on the Land, which contains primary sources and commentary on the lives of the everyday North Dakotans who shaped our history.

In honor of Women’s History Month — and March Madness, which we’ll get to in a bit — check out five links on North Dakota’s remarkable, but too often overlooked, women and girls.

Women sitting in a field braiding cork

Women braid corn for drying. SHSND 0086-0277

1. Corn farmers
Mandan, Hidatsa, and Arikara women traditionally handled agricultural production for their tribes. Women grew sunflowers, beans, and squash, in addition to multiple varieties of corn, providing a reliable source of nutrition and wealth.

Two women draw water from a well

Drawing water from a well, used for washing, cooking, cleaning, and bathing, was one of the heaviest chores a woman had to complete. SHSND 2009-P-012-006

2. Hired girls
Among settler families, teenage girls and young women often found work as “hired girls,” helping farm families with the demanding domestic tasks of childrearing and farmhouse life.

A group of women stand in front of a tent that reads FOVES FOR WOMEN LEAGUE (NOVEMBER 3RD 1914)

While campaigning for the woman suffrage law, the Votes for Women League hosted a tent at the 1914 Bottineau County Fair. SHSND 10204

3. Suffragists
As we prepare to celebrate the 100th anniversary of U.S. woman suffrage in 2020, it’s enlightening to look back on the women dressed in white a century ago. Even before passage of the Nineteenth Amendment, white women in Dakota Territory could vote in local school elections starting in 1883. Native American women fully gained the right to vote, along with U.S. citizenship, in 1924.

A woman stands in front of an old automobile patching the inner tube of a tire

Veronica Brown of Cass County patches the inner tube of a tire circa 1918. SHSND 0032-CS-06-14

4. Mechanics
Women began driving as soon as cars appeared in North Dakota, and even some girls learned to drive, such as 12-year-old Esther Nichol who made deliveries for her father in Souris. During World War I it is likely more women began to work as mechanics since so many men served overseas.

Five women play basketball while a woman stands in the background coaching or reffing

Athletes compete at Bismarck Indian School, an all-girls boarding school. SHSND 11113-73

5. Basketball stars
Enter hoops madness! Girls’ basketball became a competitive sport in the first half of the 20th-century in North Dakota, when girls began playing half-court games in bulky woolen uniforms. Uniforms and skills improved up until girls’ basketball was suspended in 1960. The game was reinstated for North Dakota girls in 1973.

Paleontology Outreach in the 21st Century

One of our key missions in the North Dakota Geological Survey paleontology department is to educate the public about the paleontology of North Dakota. Traditionally this has been done through a number of tried-and-tested methods such as exhibits, tours, and public lectures. However, due to the physical nature of these methods, the people on the receiving end of this outreach are primarily local. While it is very important to interest our fellow North Dakotans, we must reach a larger audience if we want to have a broader impact. Within the last two decades we have added the public fossil dig program as an important, hands-on means of reaching both North Dakota residents and nonresidents, and informing participants of the importance of North Dakota fossils. This program has proven successful, and we are reaching a large audience that includes both local participants and some from as far away as Italy! The public fossil dig program continues to grow and interest people from all over, but it can be hampered by the cost of travel to North Dakota for nonresidents. This is just the nature of the public fossil digs—in order to enjoy the excitement of physically helping us uncover our rich fossil history, you must travel to North Dakota.

Four people digging for fossils

Man in a red shirt sits next by exposed fossil and is digging to reveal more

Public Dig photos from various sites we visited in 2018. Come out and join us! A few spots still remain for 2019, visit 2019ndgspaleodigs.eventbrite.com for more information.

Local news stories are a great way to reach a larger audience without the burden of travel costs on the viewer. However, unless you are watching your television the moment the news story airs and you happen to live within the broadcast range of the news outlet, you might miss it. We have been featured on national television programs such as Dino Autopsy, NASA 360, Prehistoric Predators, and NBC’s Today Show, which is wonderful; but again, if you aren’t tuned in the moment it airs, you might miss it.

The advent of social media platforms (Facebook, Twitter, and Instagram) and streaming (Facebook Live, Skype, and Twitch) has dramatically increased our opportunities for public outreach. Instead of blasting out information to a general audience, we can distribute our message with surgical precision to those who are really interested, and who will likely share it with other like-minded individuals.

We have started a video channel on Twitch where we post videos on a variety of topics of interest to aspiring paleontologists, young and old. From molding and casting fossils to just chatting about an upcoming exhibit while asking for feedback from viewers, this is a new platform to engage not only a local audience, but potentially a global one. A true benefit of posting videos in this way is they can easily be found and viewed by anyone at any time.

Video thumbnails from Twitch channel

The North Dakota Geological Survey Twitch page showing various videos available for viewing by anyone.

Lastly, we have started using the platform Skype as a way of conducting virtual tours of the vertebrate paleontology exhibits, labs, and collection areas. It also gives members of the public the opportunity to chat with paleontologists. Offering tours and video chats in this way completely eliminates the burden of travel on either party and allows us to reach a much larger audience. Although nothing beats seeing fossil preparation firsthand, watching a video on Twitch may serve to inspire a young person, student, or someone looking to fulfill a bucket list item to visit our great state and discover the fabulous fossils of North Dakota.

5 Surprising Stories about Exhibits at the North Dakota Heritage Center & State Museum

1. That’s made out of butterflies?

Friend to gardeners, ecotourists, and second-grade science projects, the butterfly is the flagship for biodiversity in your front yard. Butterflies are an essential part of the food web and plant pollination. And artwork, it turns out.

Look closely at this portrait and you will see it’s not just a silhouette of a woman — the piece is made entirely out of butterfly wings.

silhouette of a woman made out of butterfly wings

2. The most dangerous animal in the museum is what?

When museum bloggers discuss dangerous animals, the usual suspects come to mind: bears, mountain lions, and venomous snakes are certainly to be respected in the North Dakota wilderness. Relatively few people think of the bison, which was perhaps the biggest killer of humans even 500 years ago. Imagine being part of a hunting party, crouching in the grass, while thousands of 2,000-pound bison, strong enough to plow snow with their faces, graze a few feet away from you. Horses were reintroduced to North America in 1519, and that made the bison hunt faster, but not necessarily safer.

Family of three taxidermied bison

The point is bison are tough. Our taxidermy mounts have been on display since 1925. Depending on your age, you might remember them from when the museum was housed in the Liberty Memorial Building, the ND Heritage Center & State Museum constructed in the 1980s, or as they are displayed today in the Innovation Gallery: Early Peoples. They are beautiful to appreciate, but it’s still advisable to keep your distance.

Family of three taxidermied bison in the 1930s, 1980s, and 2019

3. Why does your exhibit contain arsenic?

I am not a museum preparator or conservator. I don’t even play one on TV. But common sense tells me if the word “arsenic” is involved, it would be a good idea to keep my distance. Arsenic used to be a mainstay in industries like embalming, agriculture, and even cosmetics. It was also a champion bug killer, so it was used heavily in taxidermy until people realized that it wasn’t very good for your health.

Taxidermy specimens have a lot of uses for researchers and are great tools for interpretation and education. But when the sign says “don’t touch” — we really mean it.

Sign stating that Natural History specimens may contain ARSENIC - Please do not touch! There are taxidermy animals in the background.

4. Why do you freeze the artifacts?

Some things don’t come in the door dangerous; they just get that way over time. Silver nitrate film is a good example of when good things go bad. When State Archives staff open a box of old film and get a strong whiff of vinegar from the silver nitrate, they take action to preserve the negatives. This is done through digitization, scanning, and good, old-fashioned refrigeration.

Why store things in a freezer? Without cold storage, materials can deteriorate rapidly. Silver nitrate film can spontaneously combust, which is pretty high on the crisis scale. With cold storage, negatives can remain unchanged and accessible for many centuries.

Sarah Walker bravely standing beide our cold storage unit

5. Just how many guns do you have?

While museum security is not as exciting as actor Ben Stiller would have you believe, remember that what you see at a museum is only about 10 percent of the actual collection (there many reasons for that, but that’s another blog post). Most of the museum’s gun collection, for example, is kept in a gun vault. There are muskets, cannons, pistols, guns from 19th-century campaigns and both World Wars. There’s even a flame thrower in the arsenal. (When the zombies come, we’re ready.)

Case displaying many guns

Archiving the North Dakota Legislative Assembly

The North Dakota Legislative Assembly meets every odd year to determine the state’s budget and whether new laws or changes to current laws need to be made. State agency leaders testify in front of appropriation committees to explain why their proposed budget is necessary to fulfill their commitment to the people of the state. People from all walks of life contact their senators and representatives to express their beliefs about what is right and what is wrong for North Dakota. Whether it’s business owners wanting to be open Sunday mornings, the energy industry seeking tax breaks, or the livestock industry seeking more stringent restrictions on cattle imports, a plethora of issues comes before the legislature each session.

As the repository for state government records of historical value, the North Dakota State Archives collects much of the work accomplished during (and in between) these legislative sessions. We have archived all the bills and resolutions introduced in the House and Senate since statehood in 1889. Probably one of the more interesting and most requested sets of records we archive is the written and recorded testimony from standing committee hearings. These audio tapes run from 1977 to 2005. The majority is on mini-cassette tapes, organized chronologically and by committee and bill number (digital recording of these hearings began in 2007). Because many bills resurface in subsequent sessions, interested parties will often look back and listen to what opponents and proponents said about the bill as they prepare for an upcoming hearing.

The State Archives also preserves videos of television news. Our collection includes substantial television coverage of legislative issues in North Dakota from the 1970s through the 1990s. For example, the blue laws, or Sunday restrictions on sales, have garnered much attention for decades. This session features a bill that would repeal the last of the blue laws, allowing all stores to open before noon on Sundays. Below are a few clips I picked out from our Meyer Television (KFYR-TV) news collection about blue law legislation, as well as the wrap-up report from the final day of the 1989 session. Enjoy!