Backstage Pass to North Dakota History

This blog takes you behind the scenes of the State Historical Society of North Dakota. Get a glimpse at a day-in-the-life of the staff, volunteers, and partners who make it all possible. Discover what it takes to preserve North Dakota's natural and cultural history.

Heritage Outbound Winter Adventure

One of my favorite heritage tourism programs is coming up very soon: Heritage Outbound! The Heritage Outbound Winter Adventure, an annual day of activities and learning at Fort Clark State Historic Site, will be on February 11, 2017. I’ve been fortunate to be involved with this outreach program for nearly 15 years, and it’s always been a great experience!

Playing flute in earthlodge

Allen Demaray plays traditional flute music in the earthlodge at Knife River Indian Villages National Historic Site during the 2016 Heritage Outbound Winter Adventure. Image courtesy of Brooke Morgan.

We help participants focus on the history and culture of the Mandan, Hidatsa and Arikara peoples at the confluence of the Knife and Missouri rivers. The State Historical Society of North Dakota has once again partnered for this year’s event with the Knife River Indian Villages National Historic Site, the Mandan, Hidatsa, and Arikara Nation, the Knife River Indian Heritage Foundation, and the North Dakota Archaeological Association.

It’s been fun to watch the Heritage Outbound program evolve over the years. The program got its start in the period leading up to the Lewis & Clark Bicentennial of 2004-2006 (remember those two guys?), with Heritage Outbound starting as a multi-day affair offered during the winter and summer seasons. The winter program introduced participants to seasonal activities like snowshoeing and winter camping in below-freezing weather. My friend, Calvin, had remembered to bring a bison hide to keep warm the one year when we winter-camped at the historic Lower Hidatsa earthlodge village, but I had to make do with two sleeping bags! The Heritage Outbound summer program focused on the Missouri River as a transportation corridor, and we put the participants into expedition canoes. We camped overnight in a wonderful camp by the river, holding educational programs and sharing traditional stories under the summer stars.

Pointing out locations of Fort Clark fur trade post

State Historical Society of North Dakota Curator of Education Erik Holland points out the locations of Fort Clark fur trade post and Mih-Tutta-Hang-Kush earthlodge village to Heritage Outbound participants – February 2016. Image courtesy of Doug Wurtz.

This year’s adventure will begin with a morning snowshoe hike at Fort Clark State Historic Site. The site is the location of the historic Mandan earthlodge village of Mih-Tutta-Hang-Kush .  The village was later occupied by the Arikara people, and an important fur-trade era post was established there during that time. During our site visit we’ll discuss archaeological investigations recently conducted at Fort Clark by the State Historical Society and the PaleoCultural Research Group.

Walking through trees

Heritage Outbound participants enjoy a pleasant (snow-free) walk on the Two Rivers Trail near the Big Hidatsa earthlodge village in Knife River Indian Villages National Historic Site – February 2016. Image courtesy of Doug Wurtz.

After lunch, we’ll learn about the lifeways of the Hidatsa peoples. We’ll be hiking and learning as we explore the Lower Hidatsa and Sakakawea villages, two important earthlodge villages located in Knife River Indian Villages National Historic Site. Outdoor activities like fire-starting, using atlatls to throw darts (always a fun time) and other traditional winter games keep the afternoon lively and fun. We’ll also be joined during this year’s activities by living history presenters Chris Floyd and Terry Madden of The American Mountain Men.

Demonstrating flint and steel fire-starting

SHSND Curator of Education Erik Holland demonstrates flint and steel fire-starting during the 2016 Heritage Outbound Winter Adventure. Image courtesy of Brooke Morgan.

Atlatl dart throwing

2016 Heritage Outbound Winter Adventure participant Brooke Morgan demonstrates the proper form used in atlatl dart throwing. Note the reconstructed earthlodge at Knife River Indian Villages National Historic Site visible in the background. Image courtesy of Doug Wurtz.

Atlatl target practice

2016 Heritage Outbound Winter Adventure atlatl target practice. Image courtesy of Brooke Morgan.

The day-long program concludes with a traditional meal, story-telling, and songs around a warm fire in the recreated earthlodge at Knife River. We’ll be joined this year by the Baker-Demaray family of the Mandan, Hidatsa, Arikara Nation. The evening activities in the earthlodge are among my favorite. The warmth of shared experience and camaraderie among new friends around the fire in the earthlodge all make for a magical conclusion to a great day.

If you’re interested in registering for this year’s Heritage Outbound Winter Adventure on February 11, please register at heritageoutbound2017.eventbrite.com.

Baker-Demaray family and Amy Mossett

The Baker-Demaray family and Amy Mossett of the Mandan, Hidatsa, Arikara Nation gather in the Knife River Indian Villages National Historic Site visitor center at the conclusion of the 2016 Heritage Outbound Winter Adventure. Image courtesy of Brooke Morgan.

Mastodon Repair

Museum staff often have to walk a fine line when it comes to displays. Sometimes we get it right, and other times a little modification may be needed. If barriers are put up (such as Plexiglass, metal railings, etc.), some people feel offended or think that we’re trying to keep them away from the object on display. However, if we have no barriers, sometimes people get a little…too…up close with the artifact or specimen.

One of our first priorities is to keep the object on display safe. Without them, there is no museum! A gallery filled with photographs of fossils isn’t the same as seeing the real thing. Safe for the fossil? Yes. Good for museum patrons? Not so much. Another priority is to keep our museum visitors safe. For the most part in this state, we see a good dose of “North Dakota Nice,” which helps us keep our barriers to a minimum and objects close for viewing. There is the occasional mishap however.

Mastodon repair wrapped up with bandaid sticker on it

Plastic shrink-wrap and a touch of humor to hold the bones in place while the glue dries.

Someone trips over untied shoelaces, and bumps into a painting. Perhaps you wish to show everyone where you are, and during a selfie opportunity lean too far back, knocking into a display case. Or maybe an over-exuberant child who has escaped the watchful eye of parents runs into the leg of a Mastodon.

Becky Barnes lying down to paint the mastodon repair.

Not all repairs are conveniently placed! Becky touching up some spots of plaster with brown paint.

This last case did happen. No one was hurt, but the Mastodon legs did suffer some…dislocation. So what happened then? We fixed it. After making sure the bone was still in good condition, we looked for what went wrong with the display mount and how to counter the problem in the future. The radius (lower arm bone) was previously only glued into place. To repair it the bone was first cleaned, then we re-glued the bone and added some wire support. The wire was painted brown to match the bone and make it less distracting than shiny silver. To give the bone a little extra support while the glue was drying, we added a temporary layer of shrink-wrap.

Becky painting the mastodon repair

Becky concentrating on painting the newly installed silver wire.

The physical railing around the Mastodon is very low, so it doesn’t distract from the skeleton itself. There’s not a whole lot of modification that can be done on that aspect. So – can people touch it? Even though the physical opportunity is there, the museum staff sincerely hopes you will use photo opportunities, rather than tactile ones. Help keep our museum safe – safe for you and safe for the specimens and artifacts – and enjoy North Dakota’s history!

Bringing Baby to Work: The SHSND Infant-at-Work Program

I loved the Infant-At-Work Program so much that I brought both of my sons to work! My favorite aspect about the program was being able to bond with my babies after my maternity leave was over. I felt so fortunate to be able to contribute to my professional career and see my sons every day!” - Emily Ergen, SHSND Archives Specialist

This post will take you way behind the scenes, to talk about the tiniest members of our staff. Many people are not aware that North Dakota state agencies have an “Infant-at-Work Program” (IAWP). I don’t know how it works for other agencies, but I have benefited from it myself at the SHSND and thought the blog would be a good way to share about how it works here.

Employee at his work desk with baby daughter

Tom Linn (Architectural Project Manager) works on his computer while his daughter naps in his lap.

Very simply, IAWP allows new moms and dads to bring newborns to work every day until the child is six months old. YES. I KNOW. Amazing, right? Since I started here in 2011, I have worked alongside at least eight agency babies, including my own daughter. The policy has some caveats, of course – the baby must be in a safe environment, you cannot travel with the baby in a state vehicle, and the baby cannot be at work if he or she is so loud or disruptive that it affects productivity (our administrators make that decision). Parents also need to provide all necessary furniture or equipment like strollers, cribs, changing supplies, etc. So while it is allowed, parents still need to be mindful and considerate. That is not too much to ask, considering what you get in return.

Employee at her computer with daughter and co-worker lying on floor playing with baby

Left: My daughter did not like doing her five minutes of “tummy time” in the office! In a show of solidarity, Lisa Steckler (Historic Preservation Planner) was kind enough to keep her company.
Right: My daughter spent a lot of time in her baby carrier, which allowed me to type with both hands!

So now you might be wondering – how could anyone get any work done while they are also taking care of a baby? It’s a great question. I asked myself the same thing before I started bringing my baby to work. I was so nervous that having her at work would be stressful or affect my productivity (or that of my coworkers). But newborns mostly sleep, snuggle, observe, and eat for the first few months, all of which are things they can basically do anywhere. Don’t get me wrong – working with a baby is hardly easy. But I did learn how to type softly so I didn’t wake her if she was asleep on me, find quiet places to read my work out loud so she would be entertained, and we went for walks through the galleries when she got restless.

Employee watching her baby daughter on a foam piece

Here is Genia Hesser’s (Curator of Exhibits) daughter learning the ropes of exhibit development in the Exhibit Production room.

Usually my job is varied enough that I can do things while moving if she is in an active mood, or sit at my computer and get other things done if she is feeling content. We got into a good groove after a few weeks, where I could predict the best times during the day for me to schedule meetings, eat lunch, do standing work, make phone calls, and so on. And when you do start noticing that your baby is more active and needs more of your attention, you are typically at that 6-month mark, when it is time for him/her to “resign” from the job anyway.

Two employee's babies sitting in play area

Left: Visitors to our administrative offices may or may not have noticed this little lady on the floor behind Ashleigh Miller’s (Administrative Assistant) desk! She was Ashleigh’s sidekick in answering the phone, assisting visitors, and keeping track of our leave balances.
Right: Here is another SHSND baby helping Erica Houn (Administrative Officer) with payroll and accounts.

Our agency converted our former first aid room to a nursery, complete with a rocking chair, soft lighting, refrigerator and private bathroom. There was never a shortage of co-workers willing to hold her, talk to her, or take her for a walk. In our building, you typically see a baby traveling with an adoring entourage around 10 a.m. or 3 p.m. every day, as people take their work breaks. It gives parents a rest and gives the baby plenty of social time with agency staff. My coworkers were also great about opening doors for me, carrying some of the ten bags I always seemed to have hanging off of me, and looking at me with sympathy rather than irritation when my baby cried.

My baby attended dozens of meetings in her first six months, saw her first artifact before she could eat solid food, did some exhibit planning, supervised my work on the lithic comparative collection, and helped me organize countless collections from her stroller or baby carrier. She was an attentive and agreeable sounding board, who always seemed to think that my ideas were great. Our staff even threw her a “retirement party” on her last day of work.

Cubicle transformed into baby station

This was my version of a cubicle-nursery in 2014.

As a parent who has benefited from this policy, I am eternally grateful for it for so many reasons. First, I felt like I could enjoy my maternity leave, since I knew that the end of it did not mean the end of being with my baby all day. I was able to bond with my daughter for her first six months, with no disruption in feeding routines or constant worrying during the work day about how she was doing (which I would definitely do) . Second, she grew accustomed to being able to sleep through ANYTHING (and it stuck!).

And lastly, it made me feel a sense of support in the workplace that I have not had anywhere else. Whether it was our Historic Preservation Planner getting on the floor to do “tummy time” with her, our Grants & Contracts officer watching her while I attended a meeting, or our reference specialist mesmerizing her with sparkly things while we talked about historical records, I was never made to feel like my baby was an intrusion. She was just part of the team, and our Security guys even made her an SHSND name badge to prove it. So the next time you see one of us with a baby at the North Dakota Heritage Center, you will know that he or she is part of a tiny army of future historians who were lucky enough to get their start at the State Museum.

Employee holding her son

Amy Munson (Grants & Contracting officer) was the first parent in our agency to take advantage of IAWP by bringing her son to work in 2006. Thanks for leading the way, Amy!

Archaeology in the Digital Age: 3D Artifact Imaging

Sometimes the methods archaeologists use to preserve artifacts stand in stark contrast to the objects themselves. Using modern three-dimensional (3D) scanning technology to create digital models of ancient stone technology is one of those instances. This type of image capture is becoming increasingly popular in archaeology and museum labs for its relative ease of use and the affordability of commercially available scanners, not to mention the highly detailed models produced. We purchased a 3D scanner in 2011 to aid our staff and researchers in artifact analysis, and to provide the public with better access to our collections.

NextEngine Scanner

NextEngine Scanner ready to create a 3D model of a stone knife in the Archaeology and Historic Preservation division of the North Dakota Heritage Center & State Museum.

In addition to creating a digital record of an object, archaeologists and others working in cultural heritage fields can use the models to take high-resolution measurements, create exact replicas using a 3D printer, and share high-precision digital data with colleagues.

One of the benefits of digitizing artifact collections is the ability to share those objects in a way that encourages the public to interact with the past. An artifact’s minute features are captured in greater detail with a 3D scanner than with traditional digital photography. There are about 12 million objects in the state archaeology collections. Most of these will not be on display in the galleries, but with 3D scanning, anyone with an internet connection can get a behind-the-scenes look at these collections. From the comfort of your home, you can appreciate the craftsmanship of an artifact that 3D scanning brings to life.

3D scan of stone knife

Screen grab of the finished scan in NextEngine StudioScan software prior to uploading the model to Sketchfab.com.

Sketchfab.com is an open source, free hosting site for 3D models. With a mouse, trackpad, or finger, the user can move and turn the object, zoom in and out, and copy the link to share with others. A user can also “Like” the model and leave a comment. The object can even be observed in virtual reality if the user has VR headset.

Sketchfab.com directions

Navigation directions for the Sketchfab.com viewing window.

This artifact is a stone knife from Griggs County in eastern North Dakota; it was donated by a private collector. The knife was hafted, meaning it was fit into a handle that could give its user better leverage while cutting. We don’t know how old the knife is, but we do know it’s still usable and has only a small break on the base. Why do you think someone left it behind? Was it lost?

 

Like photographs and videos, 3D scanning is a digital medium that helps us engage with the past. Unlike those types of media, 3D models invite you to interact with an object in an almost tangible manner. So go ahead—give it a spin and feel like you’re holding history in your hand.

Web-based ND History Curriculum: Your Feedback is Welcome

When we published the web-based curricula for North Dakota Studies including The Civil War in North Dakota and North Dakota People Living on the Land, we hoped to receive comments from readers that would lead to corrections, new approaches to organizing the material, and perhaps ideas for new sections. We thought that a web-based curriculum, unlike a paper textbook, could be easily changed and we welcomed the dialog that we might have with students and teachers.

Well, we have heard from nary a student nor a teacher. However, we have heard from a good number of readers who have been out of school for a long time. Their comments have brought smiles to our faces, but also some work that led to careful thought and corrections. The whole-community method of writing history is new and inspiring, but also a little worrisome and frightening at times. We take our responsibility to write accurate, thorough, and interesting history very seriously, but sometimes a nudge in a different direction is just what we need.

I will not reveal the names of the people who wrote, but we want to share a few of their comments with you.

A descendant of Siegmund Rothhammer wrote to tell us we had his name and some other details wrong. Rothhammer traveled to North Dakota in 1864 with General Sully. His assignment was to observe and take notes on plants, animals, soil, minerals, and climate.

Our correspondent’s email sent us on a search for the errors. Certain that I had copied his name carefully, I returned to the archival source. Indeed, my spelling matched the documents. But one cannot easily dismiss the family knowledge that our correspondent had, so I carried on. Finally, I found the source of the error. The microfilm copy of Rothhammer’s report had come to us from another state with the error already embedded. A further search in other resources confirmed the error and we made the correction.

Portrait of Two Bears

Two Bears was a Dakota leader who defended his peaceful hunting camp at Whitestone Hill in 1863.  Our Civil War piece on Whitestone Hill was criticized for calling the conflict a battle, instead of a massacre. SHSND 1952-5644a

Another comment came to us from a descendant of Two Bears who defended his hunting camp from an army attack at Whitestone Hill in 1863. This correspondent asked that we reconsider the use of the word “battle” in the title of our story about the conflict at Whitestone Hill. “Massacre” was more appropriate, he argued, and gently scolded us for this error. I agreed with him, and made the change to the website. Again, using words found in original resources had led to our error.

Some correspondents have praised these educational websites, and we are proud as peacocks when we hear from happy readers. Recently, a British woman wrote to tell us how she had found North Dakota: People Living on the Land and read through much of it. She said, “I want to thank you for such a beautifully written, informative and stimulating website.”

And that’s why we love our web-based curriculum: widely read, easily corrected.

The North Dakota Archives and World War I

WWI Draftees

SHSND D0692. World War I Draftees shown in front of a building.

Harvey Hopkins in WWI uniform

SHSND 21085. Harvey Hopkins is shown in a World War I uniform. Picture taken circa 1917.

These past few months, we have seen an uptick of researchers in the Archives looking for information on World War I. This is at least partially because we are currently a century out from the Great War, as it was known at the time. An event that is so widespread and life-altering across the world evokes curiosity, reminders, and memorials.

You might think we would not have a ton from World War I in our archives, and in the grand scheme of things, it’s true that it is not our largest grouping of collections. However, we are a state entity archiving North Dakota history, and many North Dakotans served and saw battle, or pinched and saved and donated for the cause. The Great War impacted everyone, including North Dakota. Therefore, we have some collections related to it.

WWI Posters

SHSND 10935 P014, 10935 P345, 10935 P149. Several posters from our WWI collection.

One of our most popular World War I collections, #10327, consists of four scrapbooks of letters from soldiers that were printed in various newspapers from 1918 to 1919. These oversized books contain a plethora of snapshots into a different past, allowing soldiers to share details of their daily lives and experiences in their own words.

We also have collections that deal partially with World War I. Collection #10107, for example, contains some correspondence to and from Hazel Nielson o ver several decades. This includes letters from Hazel to her family and friends while she stayed in Europe during World War I.

We also have one of the largest collection of WWI and WWII propaganda posters in the country. This is because one of our past curators, Melvin Gilmore, felt that the war posters documented such an important piece of our history, he needed to save them. He sent out a call for these documents, and received them from all corners of the world. As a result, we have war posters that are in multiple languages and in different conditions. Some are pristine, some are well-used, and all paint an interesting picture of the attitudes at the time of the war.

Screenshot of SHSND website

A screen shot of the WWI page on our website.

More books, documents, and photos can be found searching our website through ODIN, our online database. You can also venture off our website, looking through Digital Horizons, or even skimming through collections we have earmarked as related to World War I on this web page.

This year, as part of the curriculum of Dr. Joseph Stuart’s Great War class at the University of Mary, we were lucky enough to have about 20 interested and excited young men and women visit the Heritage Center and the Archives to research different facets of World War I. The class was composed of college students of different ages and interests, and developed into a cross-discipline event. Some researched war propaganda; some researched specific individuals who served; some researched the components of the mustard gas used in warfare.

Many of the students in the Great War Class at the University of Mary had never been inside an Archives before, and did not know what to expect. They came as a class multiple times, and some continued to come individually. We showed them around our Reading Room and showed them how to use our websites to locate these collections, and then they were free to discover their truths. They were kind and courteous and so excited! Their instructor informed me that at the start of every class, they started talking about what they were researching, what they were learning.

This sort of collaboration is a really cool and different way that we can help new and continuing researchers. It was incredible to watch these eager young adults work, learn, and grow as they developed their research, and as they began to understand what people went through just a century ago.

The Great War was terrible in many ways, but it is helpful to study it and learn from it, for all generations. We are lucky to be able to provide that service, and to see students use our collections to bring new knowledge and perspectives to an old story.

University of Mary students

KFYR photo. One of the students worked at our local news station, and put together a report that aired on local news channels of the work they were doing, still available to read on this page.

Many of the students in the Great War Class at the University of Mary had never been inside an Archives before, and did not know what to expect. They came as a class multiple times, and some continued to come individually. We showed them around our Reading Room and showed them how to use our websites to locate these collections, and then they were free to discover their truths. They were kind and courteous and so excited! Their instructor informed me that at the start of every class, they started talking about what they were researching, what they were learning.

This sort of collaboration is a really cool and different way that we can help new and continuing researchers. It was incredible to watch these eager young adults work, learn, and grow as they developed their research, and as they began to understand what people went through just a century ago.

The Great War was terrible in many ways, but it is helpful to study it and learn from it, for all generations. We are lucky to be able to provide that service, and to see students use our collections to bring new knowledge and perspectives to an old story.